The lengthy painting seeks to trace the origins of Tibetan Buddhism. It will depict important temples and their surrounding landscape. It will also present the diversity of Tibetan culture to include the knowledge of astronomy, calendars, medicine - featuring diagrams of the human body and pictures of medical instruments - and folklore.

The opening section of the scroll, which was displayed at the Beijing exhibition, shows the Buddha, the 18 arhats and four gods. The meticulous strokes, refined layout and rich colors exemplify a regional style of thangka painting held dear by artists, including Nyangbon, who hail from villages along the Longwu River in Qinghai's Regong area.

Thangka and other arts practiced by monks and artists of Tibetan and Tu ethnic groups in the region are known collectively as the Regong arts - inscribed by UNESCO as an Intangible Cultural Heritage in 2009.

An experienced thangka painter knows how the established measurements of Buddhist deities and teachers are to be drawn on an artwork. The artist has to strictly follow the instructions on drawing lines and figures, matching colors and pattern designs as provided in ancient texts on the art form.

Nyangbon says many young painters, however, can paint only a small number of the deities while knowing little about the drawing measurements of the rest, a reason for which is the demand in the art market for only certain figures such as an avatar of the Buddha and the goddess Tara, although traditionally, many were drawn.

"There are more than 70 bodhisattvas, and yet, thangka collectors today favor only four or five."

He says the production of the lengthy scroll will help to reintroduce to artists and collectors some Buddhist figures that are less visible. The step is an important part of preserving thangka art.

Nyangbon says all artists taking part in the time-consuming project have practiced the art form for at least a decade. They hope to complete the entire scroll in the next five years.

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