Academy Award-winning Japanese filmmaker Yojiro Takita, who directed his first Chinese film, "Silence of Smoke," spoke with China.org.cn about the behind-the-scenes stories of film production, collaboration between Chinese and Japanese filmmakers, and the safeguarding of intangible cultural heritage.

Japanese filmmaker Yojiro Takita promotes his film in China on Oct. 30, 2023. [Photo provided to China.org.cn]

Adapted from Chinese writer Xin You's novella, "Silence of Smoke" is a captivating film debuting in China on Nov. 3. It follows a multi-generational family known for their exquisite "Bingjinggao" cakes with a unique flavor. The story centers on a hidden ingredient guarded by the father, who bequeaths the family business to his son on his deathbed. Distraught, the son pursues a film career but returns upon learning of his father's imminent death. Only after his father's passing does he discover the poignant secret within the recipe.

Director Takita found the short story, sent to him by Chinese producers, strikingly reminiscent of many narratives in Japan. "The themes of father and son, the intergenerational story, the preservation of traditional culture and business, coupled with the aspirations of young individuals to venture into urban cities and strive for a different life and future — all resonate deeply with Japanese audiences as well," he said.

Takita sets the story in the pre-Beijing Olympic era of 2008, a time when Chinese society was filled with momentum and poised for significant progress. However, he acknowledges that along with this progress, various challenges also arose. "It is easy for me to approach such a story, as we have experienced similar situations in Japan, and the emotions depicted are shared among Asian countries."

After winning Best Foreign Language Film at the 81st Academy Awards in 2009 for "Departures," director Takita received numerous offers both domestically and internationally. In 2015, the project for "Silence of Smoke" began, coinciding with the rapid growth of the Chinese film market, which had become too significant to ignore. "I sensed that Chinese filmmakers were eager to embrace new ideas, collaborations, and diverse creations. Intrigued by the opportunity to work on a film that combines Japanese concepts and techniques, I enthusiastically joined this project centered on a local Chinese story and brought in my 'Departures' team. The Chinese producers also shared a desire to foster Chinese-Japanese film cooperation, which greatly aligned with my interests," he explained.

A behind-the-scenes photo shows Japanese filmmaker Yojiro Takita directing Chinese actor Zhang Guoli (right). [Photo provided to China.org.cn]

Takita praised the collaboration between film producers from both countries, highlighting the Chinese crew's understanding of his desire for cooperation and chemistry. Despite language and cultural differences, they managed the filming process skillfully. Impressed by their efficiency and problem-solving abilities, Takita also appreciated the strong decision-making skills of the Chinese crew. "I really liked the atmosphere. I was so delighted to have the opportunity to meet such an exceptional Chinese team," he said.

The director, with the assistance of his Chinese colleagues and friends, ultimately cast veteran actor Zhang Guoli and pop idol-turned-actor Han Geng. He was highly satisfied with their performances and held frequent discussions with them before filming to align their visions and ensure the accurate portrayal of Chinese cultural elements. Interestingly, Takita was initially unaware of Han's idol status, but he found that Han possessed a gentle and innocent demeanor, showing great potential for diverse roles in future films.

Takita also expressed admiration for the Chinese film market and industry, which he found impressive and on a scale that Japan may not be able to match. He observed a multitude of film genres, the abundance of diversity, and China's global excellence in filmmaking equipment. The country's cinema industry also boasts strong collaborations with major enterprises. Takita believes that filmmakers will greatly benefit from this creative and interactive environment.

A poster for Yojiro Takita's "Silence of Smoke." [Image courtesy of Magilm Pictures]

As "Silence of Smoke" delves into the story of a unique cake, an intangible cultural heritage product, the director shared his belief that both China and Japan face challenges in preserving such heritage. "There is a lack of successors and a decrease in people who understand cultural assets. Through this film, I hope to convey the sentiment of protecting old things and intangible cultural heritage," he said.

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