Art lovers in China may not be aware of this, but a museum in Paris houses an important collection of Asian and Chinese art. The ongoing exhibition The Journey of Ink: Modern and Contemporary Chinese Paintings From the Musee Cernuschi showing at the Bund One Art Museum in Shanghai marks the first time a selection of masterpieces from the Paris museum is on display in China.
Running until Jan 5, the exhibition features 89 paintings from the collection of the Musee Cernuschi, including works by familiar masters such as Zhang Daqian, Lin Fengmian, Qi Baishi and Sanyu.
The Musee Cernuschi's collection of modern and contemporary Chinese art has been displayed for more than 70 years, says Eric Lefebvre, director and general curator of the French museum. This year marks the 60th anniversary of diplomatic ties between China and France, "so we think it is a great opportunity to share the ink paintings with audiences in Shanghai", he told media at the opening ceremony.
"We have selected artworks spanning almost a century to showcase how Chinese ink art innovated and developed throughout this period."
The exhibition ranges from paintings made at the beginning of the 20th century to the creations of living artists in the final chapter.
"We search for a link with the past in the paintings," says Mael Bellec, head of the Chinese and Korean collections at the Musee Cernuschi.
In the curatorial process, Lefebvre and Bellec discovered a narrative thread connecting the works and chose ink painting as the main theme. "Because ink is native to Chinese characteristics, viewing it conjures the feeling of its history," Bellec says.
Many Chinese artists stayed in Paris and "while they were there, they did new things with what they learned … When two cultures meet, there is a blending that happens almost immediately and brings forth new ideas", Bellec tells China Daily.
"In France, people tend to forget that these artists were there and are part of our history," he says. "Except for a few artists such as Pan Yuliang, whose biographic movie was made starring famous actress Gong Li, it's not so easy to recognize and acknowledge them as part of our history, too," he adds.
For French visitors to the Cernuschi Museum in Paris, Bellec says: "Studying the art from a faraway country helps you to get out of your own culture and broaden your view of the world and its aesthetics, which is very different from your own."
Visitors to the exhibition in Shanghai will find landscape paintings, flowers and birds, and hand scrolls traditionally mounted in the first showroom.
"Then, one chapter after another, they will observe the evolution of ink paintings, from the forms to the techniques," Lefebvre says.
To give audiences a full evolutionary experience, Lefebvre and Bellec also selected a series of videos from the institution's archives, dating as early as the 1930s, that document the painting process of some artists.
"From these videos, we can learn about the techniques of Zhang Daqian and see how artist Walasse Ting created the popular action painting style of the United States, reflecting the integration of Chinese and Western art," Lefebvre says.
A significant part of the exhibit joins the museum collection from the 1950s when the Musee Cernuschi received an important donation of paintings from Guo Youshou, a Chinese diplomat who later worked for UNESCO.
An important collector and promoter of Chinese art, Guo facilitated the first series of exhibitions of Chinese art in France, Switzerland and Slovakia. From the 1950s to 60s, he helped to organize three exhibitions of Zhang Daqian in France, says Xie Dingwei, founding director of the Bund One Art Museum.
"In 1953, Guo donated 76 paintings to the Musee Cernuschi, including works by Xu Beihong, Lin Fengmian, Pu Ru and my father," says Xie, the son of renowned Chinese artist Xie Zhiliu.
Guo's donation played an important part in the Musee Cernuschi's collection of modern Chinese art. Today, "we recognize him as a pioneer who made great contributions by introducing Chinese art to the world", Xie says.
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