Exhibition marks Sino-French cultural exchanges

A poster for the "From the Seine to Guanghua Road" exhibition, which is being held at the Tsinghua University Art Museum from Nov. 2, 2024, to Feb. 16, 2025. [Image courtesy of AADTHU] 

The 1925 International Exhibition of Modern Decorative and Industrial Arts in Paris was a pivotal event with significant global influence. As modern science and the Industrial Revolution showcased their power, the decorative arts movement arose to reflect this progress in everyday life. Here, "decoration" goes beyond mere beautification — it represents the exploration and application of a new formal language for the evolving era.

Under the circumstances of the time, Paris undoubtedly stood as the cultural center of the world and the "capital" of global discourse, attracting notable figures and young scholars from around the globe. The exhibition "From the Seine to Guanghua Road: Modernization of Art Deco" is being held at the Tsinghua University Art Museum from Nov. 2, 2024, to Feb. 16, 2025. The five Chinese artists featuring in the exhibition — Pang Xunqin, Lei Kueiyuan, Zheng Ke, Wu Guanzhong and Chang Shana — responded to the changing modern thought and artistic transformation, whether by studying in France or living and developing there.

From the former Central Academy of Arts & Crafts to AADTHU, the academic ideals of their predecessors have been transmitted through writings, design and teaching. This process has enhanced the quality of life for the public and met the needs of national projects and economic welfare. Over several generations, this transmission has led to inspiring achievements that promote a contemporary cultural spirit. The ideals of predecessors continue to serve as the institution's cultural essence and academic foundation, highlighting the significance of this exhibition during the 60th anniversary of Sino-French diplomatic relations.