A Chinese lawmaker has proposed to the 14th National People's Congress (NPC) to integrate key ancient kiln sites across China under the collective name "China Kilns" and seek UNESCO World Heritage recognition. 

Guo Aihe, a deputy to the NPC and curator of the Luoyang Sancai Art Museum, emphasized that the initiative would help preserve China's ceramics heritage while enhancing its global cultural influence.

Guo Aihe, a deputy to the 14th National People's Congress and curator of the Luoyang Sancai Art Museum, outside the Great Hall of the People, Beijing, March 5, 2025. [Photo provided to China.org.cn]

Guo highlighted the historical significance of ceramics in Chinese civilization, noting that they have been a vital medium for cultural exchange since the Silk Road era. 

"Ceramics were among the earliest Chinese exports, representing centuries of craftsmanship, technological advancement and artistic expression," he said. As the first civilization to master porcelain-making, China has played a pivotal role in the development of global art and technology.

To date, around a hundred ancient kiln sites across the country have been designated as key national heritage conservation units, forming a comprehensive historical record of ceramic production. "These sites preserve not only physical structures and techniques but also the vibrant cultural narratives that accompany them," Guo explained.

He emphasized that securing World Heritage status would strengthen heritage protection and reinforce China's role in historical and archaeological research.

To achieve this goal, Guo suggested that the National Cultural Heritage Administration take the lead in consolidating major kiln sites, including the Yue Kilns in Zhejiang province, the Imperial Kiln of Jingdezhen, and key sites in Henan and Jiangxi provinces. He recommended drawing on the successful experience of China's Grand Canal World Heritage bid by systematically preparing nomination documents and developing a long-term conservation plan.

"Securing World Heritage status for 'China Kilns' is crucial for bolstering cultural confidence," Guo said. This effort would systematically protect ceramic heritage while showcasing the continuity, inclusivity and innovation of Chinese civilization. Furthermore, it would synergize cultural tourism and international collaboration.

China's recent achievements in heritage preservation, including UNESCO's recognition of the Spring Festival and traditional tea processing techniques, alongside the World Heritage inscription of the Beijing Central Axis and the Jingmai Mountain tea forests, highlight its growing cultural influence.

Beyond heritage preservation, Guo also views ceramics as a bridge for international cultural exchange. He suggested deepening Belt and Road cultural cooperation by engaging in joint archaeological research and craftsmanship exchanges. These efforts, he said, would foster cross-cultural dialogue and strengthen people-to-people ties.

Since 2015, Guo and his team have been developing the Luoyang Sancai (International) Ceramic Village in Luoyang, Henan province, providing children in rural areas with an introduction to art education. He hopes to inspire more young people to contribute to the preservation and development of cultural heritage and traditional arts.

The Luoyang Sancai (International) Ceramic Village, Henan province. [Photo provided to China.org.cn]

"It's a common misconception that 'sancai' simply means three colors. In reality, it refers to a sophisticated ceramic glazing technique," Guo clarified. Dedicated to using ceramics to tell the story of China, his works have been collected by museums and art institutions worldwide. The Luoyang Sancai (International) Ceramic Village has also become a hub for artists from around the world, fostering creative exchanges and collaborative projects.

Looking ahead, Guo envisions expanding the global influence of China's sancai art by hosting an international arts festival, global exhibitions and academic forums. He believes that these initiatives will not only strengthen cultural diplomacy but also enhance the international visibility of China's ceramics heritage, ensuring that its legacy continues to inspire future generations.

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