Education on Chinese cultural traditions and values is of mounting concern to some people. In the globalization of cinemas, two filmmakers of Chinese descent, Ang Lee and John Woo, have stood out with their exploration of the commonalities and conflicts between Eastern and Western traditions.

With a prize-winning screenplay for "Pushing Hands" in 1992, Ang Lee started his "Father" series, which also includes "The Wedding Banquet" and "Eat Drink Man Woman." In 2000, he won the Best Director Oscar for "Crouching Tiger Hidden Dragon." His films not only capture the essence of Chinese culture and family dynamics, but also express the clash and blend of eastern and western traditions.

Born with a Chinese cultural background, Lee received a Masters degree in film Production in the United States. Despite the diversified film genres, Lee is keen to explore the multi-culturalism in every one of his films. Though some appeal more to the Chinese market, and others to westerners, Lee's constant emphasis on bridging the gap and offering something for everyone is admirable.

Jia Leilei, Art Institute of China, said, "Our cultural values have a human touch, which prompts a reorganization of positive and kind characteristics. "

Shen Ruiyuan, Jury Member of Taiwan Golden Horse Awards, said, "When you look back, you can be more confident, and begin to value tradition as a treasure, as a foundation to your career."

Director John Woo is another force in bridging the cultural gaps. In both of his films, "Red Cliff" and "Reign of Assassins," Woo has dug into traditional Chinese medicine, military, and martial arts for inspiration.

John Woo, Director, said, "We have an abundance of subject matter and cultural legacies, which could be spread through different techniques and genres, and in turn facilitate cross-cultural understanding."

In the spread of eastern values and morals, Ang Lee and John Woo are winners in the competition with international cultural exports.

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