Singer Dadawa gives voice to sound
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E-mail China Daily, September 22, 2014
It took Dadawa to minority regions in China's Yunnan province, Guizhou province, and the Inner Mongolia, Xinjiang Uygur and Tibet autonomous regions. She and her team collected more than 1,000 songs.
Her album Moonrise, which was released last December, was inspired by the trip and features ethnic groups' music and instruments.
"Without the trip, I would never have made this exhibition happen," says Dadawa.
"I have been sensitive to sound since childhood. I like listening with my eyes closed. During the trip, I realized how beautiful and valuable those sounds were, from the music by ethnic groups to the sounds of nature. I feel very real and grounded when I'm listening to those sounds."
She also hopes that more young Chinese musicians will leave big cities and seek inspiration from remote regions.
"The original music scene in China is very weak. Most of our young musicians imitate music from the West and other Asian countries rather than creating their own sound, which is very sad," Dadawa says.
"What they listen to is music produced and processed by a computer, which is not real music."
Gao Peng, director of Today Art Museum, invited Dadawa to make a sound art exhibition "not only because she is an outstanding musician but also because she embraces the openness of contemporary art".
"Sound art appeared as an independent art genre in the late 20th century, but it's rarely seen in China. Four months ago, when we first discussed the project, we didn't know how people would respond. Even on the day before it opened, we were worried about people's reactions."
Multimedia artist Li Zhenhua, the curator of the exhibition, says Dadawa wanted to present sound as pure energy.
"She offers a new angle to contemporary art in China," Li says.
"Sounds can provoke shared feelings among people, despite differences of age and cultural backgrounds. She wants visitors to slow down and listen to the voice of sounds. I think she has accomplished that."
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